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WASHINGTON AND LEE UNIVERSITY REGISTRATION
Special
Course Announcements for Winter Term 2010
(updated to Thursday, November 19, 2009)
For accurate and up-to-date policy and new-course information, please see "Recent Changes" and the course listing on the University Registrar's web page at http://registrar.wlu.edu/ .
by academic discipline:
African-American Studies (AFAM)
AFAM 130: Introduction to African-American Studies. This multidisciplinary course explores, among other topics, slavery, the Harlem Renaissance, the Civil Rights movement, Call and Response, the African and African-American connection, and America in the Age of Obama. Authors studied include Frederick Douglass, Harriet Jacobs, Langston Hughes, Zora Neale Hurston, and Toni Morrison. (HU, GE4b) Kamara
The following additional course is offered in the winter
term that will count towards the African-American Studies minor:
AFAM 130: Introduction to African-American Studies
HIST 269: The Civil Rights Movement
ANTH 290: Seminar in Medical Anthropology (3). No prerequisites. Despite radical differences in theory and procedure, the diagnosis and treatment of diseases are human cultural universals. This seminar first examines the beliefs and practices that comprise the medical systems found among a wide variety of non-western peoples, moving then to investigate the responses of a number of non-western communities to the introduction of western, biomedical practices. Lastly it considers such ethical issues as whether or not non-western peoples who supply western doctors and pharmacologists with knowledge of curing agents should be accorded intellectual property rights over this information; in what situations, if any, should western medical personnel impose biomedical treatments on populations; and whether ethnographer Napoleon Chagnon should have used Yanomami Indians as medical trial subjects. Markowitz.
BIOL 111A: Fundamentals of Biology: Communication from Cells to Organisms (3). Corequisite: BIOL 113. An intensive investigation of scientific thought and communication, examined in the context of major concepts such as evolution, regulation, growth, and metabolism. A discussion of the issues of communication of a cell with its external environment beginning with the single-celled organism. We move on to a consideration of cell size and the evolution of multi-cellular organisms. Multi-cellular forms of communication are introduced and their role in maintaining a stable environment for the individual cells of the whole organism is studied. This course, and its companion laboratory, are prerequisites for all higher level biology courses. (SL or GE5a when taken with BIOL 113). I'Anson.
BIOL 111B: Fundamentals of Biology: Marine Biology (3). Corequisite: BIOL 113. (This course is not intended to be a survey of marine life.) An intensive investigation of scientific thought and communication, examined in the context of major concepts such as evolution, regulation, growth, and metabolism. This course explores specific examples of the unique biology of marine organisms in relation to the selective pressures of their environment, building upon fundamental concepts to delve into advanced topics and research. We focus on a handful of specific examples of recent topics in marine biology, including: Why do swordfish heat their brains? Why are coral reefs dying around the world? How do elephant seals stay underwater for up to two hours on a single breath? As we explore these topics, we progress through different levels of organization, generally starting with cellular biology and physiology and moving up through population and community ecology. (SL or GE5a when taken with BIOL 113). Humston.
BIOL 111C: Fundamentals of Biology: Heart Attacks and High Fructose Corn Syrup (3). Corequisite: Biology 113. An intensive investigation of scientific thought and communication, examined in the context of major concepts such as evolution, regulation, growth, and metabolism. We investigate the importance of nutrition in the context of the sweetening of our food supply by understanding the biochemical and physiological basis of atherosclerosis which in many patients, when left untreated, leads to a heart attack. (SL or GE5a when taken with BIOL 113). Hamilton.
BIOL 225: Medicinal Plant Biology (4). Prerequisites: BIOL 111 and 113 or permission of the instructor. From Taxol to Vitamin C plants provide important medicinal products for humans. This course is an introduction to the study of plant form and function from the perspective of the utilization of plants by humans for medicinal purposes. Lectures cover plant cell biology, biochemistry, physiology, genetics, and interactions with the environment. The laboratory includes modern plant biology techniques ranging from molecular to organismal. Laboratory course. Hamilton.
BIOL 295A: Topics in Biology: The Cancer Problem (1). An exploration of the nature of neoplastic disease and its epidemiological, biological and psychological correlates. Student presentations of selected cancer literature, discussion based learning and a term paper on a topic important to the student. Wielgus
BIOL 295B: Topics in Biology: Stream Restoration Ecology (1). Prerequisites: Biology 111 and 113 and either junior standing or departmental permission. In recent decades, an increasing emphasis has been placed on restoring aquatic ecosystems to mitigate anthropogenic impacts. This course examines the ecological fundamentals underlying restoration of streams and rivers. We consider how physical characteristics of streams influence the biotic community and the overall health of these ecosystems. In particular, we look at how land-use changes in the watershed can affect in-stream dynamics of these systems. A local stream restoration project allows for placing these ideas in context and examining the functional ecology underlying contemporary restoration practice. Humston Humston
BIOL 295C: Topics in Biology: Human History through the Lens of Genetics (1). Prerequisites: Biology 111 and 113 and either junior standing or departmental permission. Using readings from the primary literature, we investigate questions of human history from the wealth of genetic data now available. Where and when did modern humans originate? Did Neandertals contribute to the human gene pool? Where did Native Americans, Gypsies, and other ethnic groups come from? How did agriculture affect the human genome? Why are some diseases not distributed equally across racial/ethnic lines? Cabe
BIOL 295D: Topics in Biology: Yellowstone Ecology (1). Prerequisites: Biology 111 and 113. Permission required. Required for students taking BIOL 332 in spring term. This course examines the interactions of microbes, plants and animals in the world’s oldest national park. Through weekly readings, discussions, presentations and written works we will cover topics including soil microbes, grazing, fire, predators, and ecosystem function. Hamilton
BUS 302B: Seminar in Finance: Real Estate Finance (3). Prerequisite: ACCT 201 and INTR 202. This course has three main objectives. The first and primary objective is for students to learn how to value properties and manage a portfolio of real estate. To achieve this objective, students consider valuation techniques in light of the variety of financing alternatives that might be available. The second objective is for students to understand the causes and effects of the recent real estate collapse. The final objective is for students to learn from the advice of practitioners who visit the class. Hoover.
CHEM 295: Special Topics: Culinary Chemistry (1). Cancelled
CHEM 295: Special Topics: HyperChem Laboratory (1). Prerequisite: CHEM 260 OR 261. An introduction to computational chemistry methods using HyperChem software. The format is a four-hour laboratory each week with laboratory reports. Students consider a series of chemistry problems that can be investigated using various computational methods including molecular mechanics and extended Hückel, semi-empirical, and ab initio quantum mechanics. The course also emphasizes the use of graphical presentations of data such as isosurfaces as a way to understand chemical problems. Desjardins
CLAS 295: Ancient Greek Law: Law, Litigation and Democracy in Ancient Greece (3). In this course, we study the rise and evolution of law in ancient Greece, and the role that social formations (specifically, the city-state) and political arrangements (specifically, democracy) had in shaping the rise of law. We study ancient legal codes but consider as well several philosophical and literary texts showing the complex movements in thinking about law. We also study several forensic speeches from the 4th century. We explore constitutional and criminal law, as well as legal procedure and forms of advocacy in ancient Greece. In addition, we wll look at several parallel developments in recent American jurisprudence in order to show the continuing pertinence of the Greek materials, and also to illuminate the issues inherent in the rule of law. Crotty
CSCI 341: Digital Image Processing (3). Revised description. Prerequisite: CSCI 209. A survey of topics in the acquisition, processing and analysis of digital images, with much of the necessary mathematical background developed in the course. Topics in image processing include image enhancement and restoration, compression, and registration/alignment. Topics in image analysis include classification, segmentation, and more generally statistical pattern recognition. Throughout the course, human vision and perception motivate the techniques discussed. (SC) Stough.
East Asian Languages and Literatures (EALL)
ECON 281: Institutions and Economic Performance (3). Prerequisite: ECON 101. Institutions such as laws, the political system, and cultural norms embed all social activity. They structure economic, political, and social interaction and as such play a central role in facilitating (or hindering) economic development. This course's objective is to explore from a broad perspective how institutions affect economic performance, what the determinants of institutions are, and how institutions evolve. We will study examples from the existing capitalist economies, the developing and transition countries, as well as the more distant history. Because the study of institutions is necessarily an interdisciplinary endeavor, the course combines the approach of economics with the insights from law, political science, history, and sociology. Grajzl. Fall,
ENGN/PHYS 401: Electronics Laboratory (1).
Corequisite: PHYS/ENGN 208. Students learn techniques emphasizing the
design, construction, and analysis of practical analog and digital circuits
such as: wave-shaping diode circuits; oscillators; A/D and D/A converters;
comparators; constant-current and voltage sources; Schmitt triggers;
transistor audio and differential amplifiers; Boolean logic (AND/NOT/OR);
and digital memories (flip-flops and latches). Erickson
ENGL 105A: Composition and Literature: The Nature of Nature (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. This course is an exploration of the human understanding of nature. How have writers, poets, and thinkers understood their relationships to "the natural world"? What is nature? How are we able and unable to define it? We read widely within environmental literature. Emerson, Whitman, Darwin, Annie Dillard, and Wendell Berry, among others, frame our discussion of "nature," "truth" and the relationship of these ideas to one another. We explore the implications of such understandings for a modern world in which ecological concern is a matter of daily news and attention. (FW) Green
ENGL 105B: Composition and Literature: The Bad Girl's Guide to the Open Road (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. This course examines five different texts in which women take a variety of road trips; through these texts, we study the historical, emotional, gendered, raced, spiritual and economic perspectives of traveling, and look closely at how road trips are a literary structure that allows writers (and readers) to explore the formation of individual and national identity. How and why do women take road trips? Do age, race, and economic status figure into these journeys? How do outward journeys serve as metaphors for inner explorations? Do women travel differently than men? Are road trips inherently more dangerous for women? Do women's road trips function as vehicles for classic coming of age mileposts such as rebellion, testing, passage into adulthood, or is there something else going on? If so, what function does the road trip serve for women in American literature? How are road trip narratives useful structures for examining women's lives? Are women who take to the open road represented as deviants, undomesticated, or "bad girls" and if so, why? What is the appeal of the open road for women writers and travelers in American literature? (FW) Miranda
ENGL 105C: Composition and Literature: Coming of Age (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. This course examines a number of literary works that deal with the process of coming of age—the fundamental human movement from youth to adulthood, naiveté to awareness, innocence to experience. In discussions and essays, we focus on the tensions, pains, joys, myths, and realities of this transition. Major questions include: what are the crucial stages involved in coming of age? How do issues such as authority, rebellion, and conformity affect one's coming of age? How does the process differ for men and women? What roles do sexuality and desire play in this process? What larger patterns—mythic, religious, social, economic—are reflected in this movement? How is coming of age related to love? to death? What happens if the "normal" pattern is broken? Readings include Dickens's David Copperfield, Brontë's Jane Eyre, two plays by Shakespeare, and J. R. R. Tolkien's The Hobbit. (FW) Conner
ENGL 105D: Composition and Literature: I See Dead People (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. The course analyzes literary representations of ghosts and the afterlife. Major texts may include: Henry James, The Turn of the Screw; A. S. Byatt, The Conjugal Angel; Jean-Paul Sartre, No Exit; Thornton Wilder, Our Town; Caryl Churchill, Top Girls; Toni Morrison, Beloved. (FW) Gavaler
ENGL 105E: Composition and Literature: Coming of Age (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. This class explores the experience of youth and its transition into adulthood through the works of William Shakespeare, the English romantic poets, Charlotte Brontë, and William Faulkner. (FW) Dransfield
ENGL 105F: Composition and Literature: The Country and the City (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. In this course we read literary works that explore ideas about place. What makes a place significant? How does place function in creating personal and communal identities? How do representations of place change according to historical and linguistic contexts? We read works in a variety of genres, periods, and national traditions. Some representative writers could include Shakespeare, Wordsworth, Whitman, Dickinson, Bishop, Linda Hogan, Tom Stoppard, Aldo Leopold, Barry Lopez, Rick Bass, and Pattiann Rogers. (FW) Warren
ENGL 105G: Composition and Literature: Wicked Women (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. This section begins with Chaucer's Wife of Bath and ends with recent essays on Hillary Clinton. We look at witchcraft, femme fatales and prostitutes as a way of considering literary approaches towards women and men's power and sexuality. The course is not for women only—for instance, our discussion of witchcraft and wizardry runs from Miller's The Crucible through excerpts from Harry Potter. (FW) Brodie
ENGL 105H: Composition and Literature: Faith, Doubt and Identity (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. In this writing-intensive seminar, we explore the topic of belief and how it shapes a person's selfhood. How does being a part of a religious community, or a variety of religious communities, shape one's identity? How does identity change with the adoption of either belief, skepticism, or another culture? We ask these questions primarily through the genres of novels and short stories, examining lives of faith and doubt. Texts include Marilynne Robinson's Pulitzer-prize winning novel Gilead, about a Congregationalist minister descended from abolitionists; James Wood's The Book Against God, a novel on a philosophy student's repudiation of his father's Christianity; selected short stories from Flannery O'Conner, poems by Native American Joy Harjo, and a story by Jhumpa Lahiri, from her Pulitzer-prize story collection, Interpreter of Maladies, on an Indian woman immigrant to American who makes shrines to the Virgin Mary. (FW) Gertz
ENGL 105I: Composition and Literature: Gossips and Con Artists (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. This course explores literary representations of two prominent social discourses: gossiping and conning. Through critical reading, collaborative learning, and argumentative writing, we explore diverse characterizations of the gossip and the con artist in a variety of genres and texts, ranging from Shakespeare's Much Ado About Nothing to F. Scott Fitzgerald's The Great Gatsby. We analyze the various schemes and rhetorical strategies that gossips and cons employ in their texts to exert social influence, their understanding and manipulation of the status quo, their motivations and rewards, and their efforts upon both the individual and the larger community. To further our practice of sound argumentative writing, we juxtapose the discourses of gossip and con artistry with our own modes for persuading readers. In addition, we think critically about our personal susceptibility to the influences of the gossip and the con as well as our inclinations to (sometimes?) play their roles. (FW) Wall
ENGL 105J: Composition and Literature: The 1960s (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. This course explores a variety of American literary responses to the growing social unrest that characterized the decade. Texts include several produced during the 1960s as well as several that look back from increasing distances. Writers represented may include Updike, Pynchon, Mailer, Morrison, August Wilson, and others. (FW) Crowley
ENGL 105K: Composition and Literature: Misfits, Rebels and Outcasts (3). No credit for students who have successfully completed ENGL 101 or fulfilled FW or GE1 through exemption. Sections limited to 18 students each. Concentrated work in English composition with readings and stressing argumentation, the use of evidence, critical analysis, and clarity of style. The sections vary in thematic focus. Students write at least five essays during the term. The title of the course leaves out a lot. If extended, it might include strangers, visionaries, fanatics, prophets, artists, lovers, criminals, transients, deviants, freaks, monsters, and so on. We read stories, poems, and plays about individuals challenging the status quo, either directly or indirectly, consciously or unconsciously. We consider, among other things, what happens to the individual in the process, and what happens to the status quo. (FW) Oliver.
ENGL 291A: Seminar: Western Encounters with the Islamic World (1100-1600) (3). A study of medieval and 16th-century Western texts that imagine Muslims sometimes as culturally other and sometimes fundamentally the same as Westerners, sometimes as monstrous or demonic and sometimes as honorable. When Muslims threaten to conquer Europe, texts replay the two great conflicts between Islamdom and Christendom: the invasion of Spain, France and Italy in the 8th and 9th centuries (The Song of Roland) and the First Crusade (an eyewitness history and Tasso's Jerusalem Liberated). By contrast, in the influential travel, chivalric, and pilgrimage literature, Westerners report the achievements of Islamic civilization in the Middle East and beyond. The seminar begins with how medieval Muslims imagined themselves and imagined their relations with Christians, Jews, and other religious communities (the great Arabian story collection, The Arabian Nights or The Thousand and One Nights). All texts read in translation. Discussion throughout on the roots of how non-Muslims conceive of Muslim culture today. (HL, GE3) Craun
ENGL 291B: Seminar: Contemporary Iranian Women Writers (3). In this course we explore the connections between women's lives, Iranian cultural and political systems, and human rights struggles as they have been dramatized in contemporary Iranian and Iranian-American literature. Readings, all in English, consider both the potential and the limitations of fiction, creative non-fiction, and poetry to not only represent the experiences of Iranian women but also to elucidate such broad concepts as "the human," "freedom of expression," "political persecution," and "torture." While this is primarily a literature course, we often take an interdisciplinary approach to our readings, considering both modern Iranian history and international human rights policy and expanding our discussions with a selection of Iranian documentaries and films. (HL, GE3) Darznik
ENGL 293A: Topics in American Literature: Form and Freedom in Modern American Poetry (3). Robert Frost once said that writing free verse is like playing tennis without a net. This course explores that statement by studying several modern American poets. We examine varieties of free verse from Walt Whitman through Sylvia Plath and compare those writers' works to poets like Frost and Richard Wilbur, who preferred traditional forms. We also see how individual poets have worked with both form and freedom throughout their careers. In the process, the course studies many verse forms, including sonnets, villanelles and sestinas, and concludes by sampling some contemporary experimental approaches. (HL, GE3) Brodie
ENGL 293B: Topics in American Literature: Literature of the Gilded Age (3). This course investigates American literature written during the historical period that Mark Twain dubbed the Gilded Age (roughly 1865 to 1905). An explosive era of excesses and contradictions, the Gilded Age witnessed Reconstruction, the rise of the modern city, the closing of the frontier, and the celebration of unprecedented wealth. With the major literary developments of realism and naturalism in mind, we practice close reading of individual texts to see how diverse writers created complex, often conflicting representations of American experience and national identity. For instance, we juxtapose Dreiser's Sister Carrie with L. Frank Baum's The Wonderful Wizard of Oz (both published in 1900), the popular dime-novels of Horatio Alger with the conjure tales of Charles Chesnutt, and the intensely personal poetry of Emily Dickinson with the publicly censured novel The Awakening. Requirements include thoughtful class participation, short responses, analytical essays, and exams. (HL, GE3) Wall
ENGL 293C: Topics in American Literature: Recent American Literature (3). This course examines significant works of the past quarter century. Writers will likely include: Don DeLillo, Junot Diaz, Louise Erdrich, Jhumpa Lahiri, Toni Morrison, Thomas Pynchon, David Foster Wallace, Colson Whitehead, and more. (HL, GE3) Crowley
ENGL 293D: Topics in American Literature: American Short Story (3). We explore the roots of this distinctly modern genre through the work of American, French, and Russian masters while also sampling a wide range of contemporary writers, from minimalists to magical realists. Among the authors included: Poe, Hawthorne, Chekhov, Hemingway, Lawrence, Mansfield, Cheever, O'Connor, Carver, Oates, and Boyle. (HL, GE3) Oliver
ENGL 299A: Seminar for Prospective Majors: Western American Literature (3). The American West is one of the great battlegrounds in world history, a place where many ethnic groups have come into contact with each other and have fought for their land, their economic livelihood, their culture, their families, their names, their ethnic identities, and virtually everything else human beings can fight for. We study some key Western writers representing these different ethnic groups, analyzing their competing stories of who won the West and who ought to own and shape it now. These writers include Wallace Stegner, John Steinbeck, Willa Cather, Leslie Marmon Silko, James Welch, and Maxine Hong Kingston. We also study some Western films in order to understand the amazing power of stories to create the realities we live. (HL, GE3) Smout
ENGL 299B: Seminar for Prospective Majors: Ethics and Reading: Spenser and Chaucer (3). A study of how Shakespeare explores the classical/Christian virtues of justice, equity, and mercy in The Faerie Queene, especially Book V. A parallel study of how Chaucer explores the multifaceted basic good of medieval secular culture, honor in men and women, in several of the Canterbury Tales ("The Knight's Tale," "The Franklin's Tale," "The Man of Law's Tale," "The Physician's Tale," etc.). Alongside the literary texts, brief sections of philosophical texts on justice, honor, and the ethical basis of human action; also discussion of some recent theory on reading imaginative literature as an inherently ethical activity. Students may write the research paper, to be developed in stages over the last third of the term, on either writer. (HL, GE3) Craun
ENGL 330: Milton (3). This course surveys one of the most talented and probing authors of the English language—a man whose reading knowledge and poetic output has never been matched, and whose work has influenced a host of writers after him, including Alexander Pope, William Blake, William Wordsworth, and Mary Shelley. In this course, we read selections from Milton's literary corpus, drawing from such diverse genres as lyric, drama, epic and prose polemic. Students have the opportunity to read Milton in the context of literary criticism and to place him within his historical milieu, not the least of which includes England's dizzying series of political metamorphoses from Monarchy to Commonwealth, Commonwealth to Protectorate, and Protectorate back to Monarchy. (HL, GE3) Gertz
ENGL 380: Advanced Seminar: 20th-Century American Immigrant Literatures (3). An introduction to the comparative study of American immigrant literatures. Beginning with literature from the early decades of the 20th century and ending with writing produced in the post-9/11 period, we read novels, memoirs, and poetry by a diverse group of first and second generation immigrant writers, considering their connections to both mainstream American and imported literary traditions as well as historical, legal, and cultural debates about immigration, assimilation, and citizenship. Individual traditions represented include Jewish-American, Latino, and Asian-American literature. (HL, GE3) Darznik
ENGL 413A: Senior Research and Writing: Literature and Human Rights (3). Prerequisites: Six credits in English at the 300 level and senior major standing. Enrollment limited to six. A collaborative group research and writing project for senior majors, conducted in supervising faculty members' areas of expertise, with directed independent study culminating in a substantial final project. Contemporary literature is riddled with stories of genocide, war, and the mass migration of peoples across international borders. What can novels, memoirs, and creative non-fiction contribute to our understanding of such human rights crises? What ethical and aesthetic challenges inhere in an author's choice to speak on behalf of individuals, communities, and nations threatened by civil war, revolution, and foreign occupation? And to what standards of truth and art do we, as readers, hold this writing? In considering these questions, we spend the first half of this course reading contemporary literary dispatches (both fiction and creative non-fiction). Documentaries, visual art, and readings about international human rights policy enrich our classroom discussions. The second half of the course is devoted to individual research and writing projects, and students have the choice to expand their inquiries in a longer research paper. Darznik
ENGL 413B: Senior Research and Writing: Gender, Class and Sexuality in American Literature (3). Prerequisites: Six credits in English at the 300 level and senior major standing. Enrollment limited to six. A collaborative group research and writing project for senior majors, conducted in supervising faculty members' areas of expertise, with directed independent study culminating in a substantial final project. This capstone course studies gender, class and sexuality and their multifarious lives in the world of literature, represented here by works of selected authors predominantly writing in the last fifty years. Though this is not a theory course, we discuss key theoretical concepts necessary to the reading and evaluation of the assigned literary texts. We also look into the political, historical, cultural, theoretical, and literary concerns of these writers. As a literature class, we zero in on the styles, themes, modes, writing techniques, and literary devices embedded in the texts, and how these elements relate to and reinforce the identity politics of the texts and authors. Our goal is to see the power of literature to make interventions in critical discourses and to transform the many lives it seeks to represent and inevitably refashion. Possible authors include Dorothy Allison, Leslie Feinberg, Ursula LeGuin, Carla Trujillo, Jeanette Winterson, Audre Lorde, Junot Diaz, Tony Kushner. Miranda
ENGL 413C: Senior Research and Writing: Ritual, Religion and Drama (3). Prerequisites: Six credits in English at the 300 level and senior major standing. Enrollment limited to six. A collaborative group research and writing project for senior majors, conducted in supervising faculty members' areas of expertise, with directed independent study culminating in a substantial final project. Is drama inherently ritualistic, even religious? While scholars speculate that ancient Greek drama evolved out of religious rituals, post-Reformation drama (including Shakespeare's) often actively worked to minimize its religious content to avoid accusations of idolatry. The role of the body, especially the senses, in dramatic performance (and spectatorship) fosters much of the controversy surrounding its ritual elements; divergent attitudes towards those ritual elements continue even into modern and postmodern drama. The course begins with theoretical readings about ritual, performance, and religion. We then turn to examples of dramas from several religious traditions and from a wide chronological range in order to analyze the relationship among ritual, religion, and drama. Readings may include plays by Euripides, Kalidasa, Shakespeare, Eliot, Soyinka, Shanley, and others. Pickett Arranged
ENV 295A: Special Topics: Landowners and Water Quality: Stories of Changing Relationships (3). Prerequisite: ENV 110. This seminar investigates relationships between local landowners and waterways in Rockbridge County in the context of a political mandate to improve water quality in the Chesapeake Bay watershed. Students learn about the natural and human history of the area, the development and implementation of the Chesapeake Bay Act, and the current residents' changing relationships with the land and water in Rockbridge County. Henry-Stone.
ENV 295B: Nature and Place (3). Students may not also register for REL 295. This course explores a variety of ideas about and experiences of nature and place through a consideration of work drawn from diverse disciplines including philosophy, religion, literature, art, and anthropology. What is the nature of place in our societies, and is there a place for nature in our cultures? How have human beings made places for themselves to dwell in or out of nature? What might make a place a sacred place? Kosky.
Winter 2010 courses relevant to
environmental studies include:
BIOL 225: MEDICINAL PLANT BIOLOGY (+lab)
BIOL 295B: STREAM RESTORATION ECOLOGY
BIOL 295C: TOPICS IN BIOLOGY
BIOL 301: STATICS FOR BIOL & MEDICINE
ENV 110: INTRO TO ENVIRONMENTAL STUDIES (3 sections)
ENV 111: ENVIRONMENTAL SERVICE LEARNING
ENV 295A: LANDOWNERS & WATER QUALITY
ENV 295B: NATURE AND PLACE
ENV 397: SENIOR SEMINAR IN ENVIRONMENTAL STUDIES
ENV 401: DEVELOPMENT IN AMAZONAS: PRE LIM PREP
ENV 493: HONORS THESIS IN ENV STUDIES
GEOL 101: GENERAL GEOLOGY (+lab)
GEOL 150: WATER RESOURCES
GEOL 155: OCEANOGRAPHY
GEOL 355: PETROLEUM GEOLOGY & GEOPHYSICS
HIST 336: SEM: ENVIRON HIST IN LATIN AMERICA
INTRO 201: INFORMATION TECHNOLOGY
INTRO 202: APPLIED STATISTICS (5 sections)
PHIL 108: ETHICS & THE ENVIRONMENT
POL 342: LAW AND THE JUDICIAL PROCESS
PORT 163: ACCELERATED INTERM PORTUGUESE
POV 101: POVERTY: AN INTERDISCIPLINARY INTRO
SOC 266: CITIES & REGIONS
First-Year Seminars (title has "FS:" at the beginning, various disciplines, limit is typically 12-15)
FREN 280: Civilization et Cultures Francophones (3). This course is an introduction to modern African society and culture, with specific focus on Francophone West Africa (Senegal, Côte d'Ivoire, Guinea, and Mali, among others). We examine the various ways societies deal with issues of modernization and globalization in their political, cultural and socio-economic lives. We also look at the impact of significant historical events (the transatlantic slave trade, colonization, and the world wars, for example) on the African continent and its inhabitants. Course materials include anthropological, sociological and historical documents, literary texts, and films. Kamara.